The Only Painting that Went With Him

I gave this painting to my uncle when he was battling lung cancer. I was in America and he was in Taiwan. I went to visit him when he was diagnosed. It was fall in Taiwan. He was still healthy and seemed carefree. He took me to eat panda shaped donuts. He took me to the markets in the city to find pomelos, my favorite fruit. He took me to classes that he taught at his university. Bright students all around. He still smiled and still sang his favorite tunes from youth … when time was infinite and life was limitless.  

“…Bye Bye Miss American Pie…” 

One day somewhere in between the rhythm and the blues, he said to me one of the most meaningful compliments I’ve ever received. He spoke to me in Chinese, “Even though you may not look like much on the outside (to the Chinese there is always something wrong with the way you look), there is something special that glows and shines from your face. It’s like a light. When I see you I think you’re beautiful. I believe it comes from deep inside you. I know that you are a good and kind person and that makes me like you even more.” I was taken aback. Maybe it was so meaningful because it came from him. My uncle. My JiùJiu. 

Some of my fondest childhood memories were in Taiwan with him, my brother, cousins, and all, running along the small serpentine sidewalks that lace around the green rice paddy fields. We went to play basketball. My aunt made homemade dumplings for us when we returned. Basketball, rice paddies, and dumplings on those hot humid summer days. 

When I returned stateside, I mailed him this painting. I prayed that somehow I could weave the very fingers of God into the yellow lights of the trees or the crimson stains of the cascading flowers. Maybe those red flowers could absorb and contain the life that was bleeding out of him and give it back when his body was healthy and his lungs alive. 

During that last visit, an image of him was preserved in my mind. It was the last time we saw each other. Healthy, happy, and free. As the year unfolded and the battle went on, his body continued to degenerate. Time poured in and funneled into the last few weeks of his life. It was a time when I couldn't tell what were morning shadows or evening half lights. My mom never would stitch together a description of how he really was doing. The only thing she would tell me to do was to remember him as he was when I last saw him. Healthy, happy, and free. It was fall in Taiwan then. Remember him then. Remember him strong. Much stronger than lung cancer. 

He died a year after that visit. He died in December.

His body was cremated. Besides the garments that covered him, the only thing that went in there with him was my painting. My aunt laid it on his chest. It was a gift during the last year of his life. My little watercolor. Blue hues, little trees, crimson flowers, and yellow lights. I cried when my mom told me. 

This painting never saw a gallery wall, or any wall. It was never sold, never purchased. Never framed, never matted. It existed just for a small moment in time, given as as gift, was burned, and turned into ashes. Only this blurry capture of it remains. I will never hear from my uncle what that painting meant to him. Whether or not he liked that particular shade of yellow, or the whitespace above, or the little mountains below. These strokes, those hues, or that blue. Maybe it made him smile a real smile. Maybe it made him laugh a real laugh. Maybe it made him feel loved with a true love. Maybe it told him of salvation, when spirit joins a body that will never die. Maybe it gave him beauty and breath during his last year, the hardest year. 

I never knew what I really meant to him until that day. I never knew how meaningful my paintings could be until that day. I know he cherished it. I know he cherished me. 

Starry Starry Night Over the Dinner Table

I was at an old family friend’s house for dinner the other day. The table was filled with delicious platters of the food that I grew up eating – fried turnip cakes, dumplings, mapo tofu … all sitting on the reputable table of a most beloved Chinese auntie. During dinner, the father of this family (I call him ‘Su-Su,’ which means uncle in Chinese) was recalling an old song that he used to love. As he started to hum the tune, the lyrics started to churn in all of our minds. 

“… But I could have told you Vincent, this world was never meant for one as beautiful as you.” 

It’s one of my favorite songs. I used to listen to it all the time on long drives through the wooded countryside. It’s a song by Don Mclean, titled Vincent, and a tribute to the brilliant post impressionist painter, Vincent Van Gogh. I don’t know why these lyrics moved me so profoundly this time, but they did.

During his time, Van Gogh was thought of as an erratic and uneducated artist. People thought he painted the way that he did because he was crazy and incapable. Maybe he had a little too much absinthe too. But now, from his paintings and writings, we see him as an artistic genius. His paintings exude a rough beauty and an unutterable honesty. He felt compelled to go on seeing, drawing, and painting the way he did even when no one could see the value of it. Van Gogh saw things differently; he saw beauty and purpose in capturing the world the way he did.

In a letter to his brother Theo, he wrote: 

How good is it to walk along an empty beach and look at the gray-green sea with its long, white streaks of waves when you are feeling depressed. But if you have a need for something great, something infinite, something in which you can see God, you don’t have to look far: I think I have been something deeper, more infinite, more eternal than an ocean expressed in the eyes of an infant when it wakes up in the morning and crows with pleasure, or laughs because it can see the sun shine in its cradle. It there is a rayon d’en haut, a “ray from heaven,” perhaps it can be found there.

He had beautiful eyes, beautiful sight, and a beautiful mind. 

Sometimes I feel that I see it too. It’s when a certain kind of light shines for which I have no language to describe – the trees and the fields reflect a certain luminous color and it looks as if the lights from heaven are illuminating these grounds below. For that moment, I’m lost in it. I want to get closer to it, I want to peel all the layers off of it and then patch them back together. So I pull out my paints and I paint it and try to remember it as the light quickly changes. I rearticulate that moment over and over again, so that I can really see it. By the time I'm done the moment already is a memory mixed with imagination. 

We are all given a different pair of eyes. Many of the things we pay attention to and notice, no one else does. We want to rearticulate, interpret, and collect what we see to feel that connection and reciprocity. I wouldn’t call myself an artistic genius by any means, but I’ve been given a beautiful way of seeing. We all have, really. I want to treasure it and allow myself to see the way I was created to see. I want to honor the way others see, so that perhaps the people like Van Gogh can find a home on this earth. 

 

Starry starry night, paint your palette blue and grey

Look out on a summer's day with eyes that know the darkness in my soul

Shadows on the hills, sketch the trees and the daffodils

Catch the breeze and the winter chills, in colors on the snowy linen land

 

Now I understand what you tried to say to me

How you suffered for you sanity, How you tried to set them free

They would not listen they did not know how, perhaps they'll listen now

 

Starry starry night, flaming flowers that brightly blaze

Swirling clouds in violet haze reflect in Vincent's eyes of china blue

Colors changing hue, morning fields of amber grain

Weathered faces lined in pain are soothed beneath the artist's loving hand

 

Chorus:

For they could not love you, but still your love was true

And when no hope was left in sight, on that starry starry night

You took your life as lovers often do,

But I could have told you, Vincent,

This world was never meant for one as beautiful as you

 

Starry, starry night, portraits hung in empty halls

Frameless heads on nameless walls with eyes that watch the world and can't forget.

Like the stranger that you've met, the ragged man in ragged clothes

The silver thorn of bloody rose, lie crushed and broken on the virgin snow

 

Now I think I know what you tried to say to me

How you suffered for you sanity How you tried to set them free

They would not listen they're not listening still

Perhaps they never will. 

 

Vincent by Don Mclean

 

 

A New Day

It's a beautiful new day for a beautiful new website! Welcome! Thank you for visiting! I hope that you enjoy looking through everything :)

Here is a little peak of some of the cards that I have been working on. The cards below are called, "Cadmium Curtains." This is a salute to one of my favorite colors in the whole world: Cadmium Red. Light, medium, or deep ... I love, I love you all. Whenever I squeeze that glistening crimson color out of the tubes, for a very faint second or two I can almost hear a choir of angels singing, "Haaaaa-le-lu-jaaah!!" 

These little paintings are about playfulness and beauty. They recollect the timeless memories of skipping stones on a still and silent lake. 

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